Poché Pictures

Welcome to Clonus: The Retirement Plan from Hell If you’ve ever wanted to experience a place where your entire existence is reduced to spare parts for the leisure class, congratulations—Parts is your cinematic bucket list nightmare. Set in an isolated desert compound called Clonus, this 1979 sci-fi horror film is a cautionary tale dressed in … Read More “Parts (The Clonus Horror) – 1979 A clone apocalypse in the desert where the American Dream comes with a side of organ harvesting and existential dread.” »

The Evictors—or as it might be more accurately titled, How to Turn a Dream Home into a Bloodbath and Still Flip Real Estate Like a Pro. Charles B. Pierce’s 1979 entry into the horror-crime genre is like a cautionary pamphlet for suburban homebuyers: beware the charming real estate agent, the cute neighbor, and the Louisiana … Read More “The Evictors (1979)” »

The Dogs—or, as it might more honestly be titled, French People and Their Terrible Taste in Canines. Alain Jessua’s 1979 effort is like taking a leisurely stroll through the French countryside… only every pooch wants to gnaw on your ankle and existential dread is the only soundtrack. The plot is simple enough: Doctor Henri Ferret … Read More “The Dogs (1979) : French People and their Terrible Taste in Canines” »

Bloodrage, or as it should honestly be subtitled, How Not to Make a Horror Film While Having a Bad Hair Day. Strap in, because this one’s a masterclass in cinematic misfires wrapped in cheap motel sheets. Joseph Zito’s 1979 effort is less a horror film and more a desperate exercise in “let’s see how many … Read More “Bloodrage (1979) How to not make a horror film while having a bad hair day” »

Within the Woods—the cinematic equivalent of a buddy project where half the budget went to blood, the other half to sheer determination. Let’s break it down with some dark humor because, honestly, that’s the only proper way to digest this delightful mess of gore and ambition. Sam Raimi’s Within the Woods (1978) is basically what … Read More “Within the Woods (1978) : Sam Raimi’s Buddy Project” »

Terror (1978)—a British horror film that wears its absurdity like a crown, flails it around like a cursed sword, and somehow expects you to take it seriously. Norman J. Warren’s foray into supernatural slasher territory is a chaotic cocktail of giallo-inspired visuals, witchy curses, and what can only be described as a relentless parade of … Read More “Terror (1978) – Wearing absurdity like a crown” »

The Shout—1978’s answer to the question: what if a British seaside cottage hosted a visiting man with a sonic weapon capable of murder, and everyone politely sipped tea while wondering if their ears would explode? Jerzy Skolimowski’s adaptation of Robert Graves’ short story isn’t just horror—it’s a slow-burn auditory nightmare wrapped in fog, sheep, and … Read More “The Shout (1978)” »

Papaya, Love Goddess of the Cannibals, a 1978 Italian feast of questionable taste and stomach-turning ambition. Imagine if Eat Pray Love had a psychopathic Italian cousin with a fondness for machetes and exotic fruit—this is that cousin, and he’s drunk. The plot, if you squint and ignore the copious amounts of human barbecue, is that … Read More “Papaya, Love Goddess of the Cannibals (1978) : Italian feast of questionable taste and stomach-turning ambition” »

Mardi Gras Massacre—the kind of movie that makes you question every life choice you’ve ever made while simultaneously wondering how much worse it could have gotten if the budget had been lower. Let’s dive deep into this 1978 “slasher” that somehow combines Aztec mythology, disco, and the sort of police procedural logic that only works … Read More “Mardi Gras Massacre (1978)” »

Don’t Answer the Phone!, the cinematic equivalent of finding moldy pizza in your freezer, except the mold has an existential crisis and a fondness for necrophilia. Robert Hammer apparently thought, “Why stop at murder when you can sprinkle in amateur psychology, softcore porn, and enough melodrama to make a soap opera blush?” The result is… … Read More “Don’t Answer the Phone!(1980): the cinematic equivalent of finding moldy pizza in your freezer” »