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  • SpaceCamp (1986) Review: Houston, We Have a Script Problem

SpaceCamp (1986) Review: Houston, We Have a Script Problem

Posted on June 22, 2025 By admin No Comments on SpaceCamp (1986) Review: Houston, We Have a Script Problem
Reviews

Intro: The Shuttle Launch No One Asked For

There are bad ideas. Then there are catastrophically tone-deaf ideas. And then there’s SpaceCamp, the family-friendly film about kids accidentally launched into space — released just months after the Challenger disaster.

That’s like releasing Titanic 2: Jack’s Revenge the day after an iceberg convention.

Even if you strip away the timing, SpaceCamp is still a clunker of galactic proportions — an 80s cash grab that mistakes teen drama and zero-gravity hijinks for an inspiring sci-fi adventure. It wanted to be The Right Stuff for preteens, but it ended up more like Saved by the Bell: Apollo Edition.


Plot: Preteens, Liftoff, and NASA’s Worst Insurance Risk

A group of teenagers, led by a moody Lea Thompson and a fresh-faced Joaquin Phoenix (credited as Leaf, because why not make it worse), are enrolled in SpaceCamp at Kennedy Space Center. They think they’ll be simulating space travel. But thanks to a talking robot named Jinx — who sounds like HAL 9000 had a head injury — the kids accidentally get launched into actual orbit.

No, I’m not kidding. This NASA-backed training facility is apparently so lax in protocol that a group of kids and a robot with abandonment issues can override the most advanced aerospace security system in the country. Someone should’ve been fired. Possibly everyone.


The Cast: Victims of a Cosmic Misfire

  • Lea Thompson plays Andie, a pilot with a dream and a mullet that could deflect solar flares. Her character arc is basically “woman wants to go to space” followed by “woman accidentally goes to space.” That’s it. We’re done here.

  • Kate Capshaw (a.k.a. Mrs. Spielberg) plays the camp leader who looks like she’d rather be anywhere else — like maybe a better movie.

  • Tate Donovan is your typical 80s jock with a heart of gold, which means he’ll probably be shirtless and misunderstood at some point.

  • And then there’s Joaquin Phoenix, in one of his earliest roles, as a kid who bonds with the robot Jinx, making this less a space adventure and more a prequel to I, Robot meets Boy Meets World.

Honestly, the only real tension in this film is wondering how many careers it will ruin.


Jinx the Robot: The Saboteur with Feels

This rolling scrap heap is basically what happens when you mix R2-D2 with a broken Teddy Ruxpin. Jinx talks like a malfunctioning Speak & Spell and somehow manages to override a NASA launch system because his “friend” Max wants to go to space. Jinx is the emotional support bot you never asked for — the kind of friend who crashes your car because you mentioned liking road trips once.

He’s cute, until you realize he should be in a scrapyard, not near launch codes.


Zero Gravity, Zero Logic

Once the kids are in space, the movie fully unhinges. They must operate the shuttle despite having never trained for actual missions, conserve oxygen like it’s Diet Coke, and execute emergency repairs using what appears to be duct tape and adolescent whining.

You’d think it would be thrilling. It’s not. It’s mostly kids yelling at each other while floating. Even the Barney the Dinosaur Live Tour had more tension.


Dark Humor Corner: NASA’s Greatest Embarrassment (Besides the Timing)

Imagine greenlighting a feel-good movie about children trapped in space… only to have the actual Challenger shuttle explode during launch, killing seven astronauts, including a schoolteacher. And then instead of quietly shelving the film forever like a sane person, you go ahead and release it.

That’s SpaceCamp. A tone-deaf sci-fi misfire with the emotional nuance of a Hallmark card taped to a rocket.

It plays like propaganda from a government desperately trying to convince kids that being launched into space without training is cool, not horrific. The real horror? This film had NASA’s approval. Somewhere, a safety officer is still weeping.


Final Verdict: Mission Abort

In a better world, SpaceCamp could’ve been Flight of the Navigator meets Stand by Me — youthful, weird, heartfelt. Instead, it’s a cinematic caution sign: DO NOT ENTER WITHOUT HELMET OR EXPECTATIONS.

For a movie that takes place in orbit, SpaceCamp never leaves the ground.


Score: 1 out of 5 malfunctioning Jinx robots muttering “Max is my friend” as the oxygen runs out.

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