There are bad love stories, and then thereās Endless Loveāa film that takes the idea of young romance and shoves it face-first into a fireplace. Literally. Itās the kind of movie where if someone said āHey, letās make Romeo and Juliet, but with zero charm, a restraining order, and Brooke Shields looking like she wants to fire her agent,ā the studio said, āHereās a budget. And a theme song.ā
Letās get the headline out of the way: this movie is not romantic. Itās unsettling. Itās a 95-minute red flag.
šļø The Plot: A Pyromaniac Valentine
David (Martin Hewitt), a lovesick teenager with the emotional control of a microwave on the fritz, falls for Jade (Brooke Shields), a porcelain doll with eyebrows so strong they could sign a contract. Theyāre teenagers. They’re in love. They also have the chemistry of two mannequins locked in a Sears stockroom.
When Jadeās parents try to create some space between themābecause David is, you know, completely obsessedāhe responds by burning their house down. As you do in any healthy courtship. Nothing says āI love youā like lighting up the family living room like a Yule log.
And it only gets worse.
David gets institutionalized, writes hundreds of letters (which her dad hides), then gets out and still thinks he and Jade are soulmates. Itās Fatal Attraction: The Teen Years, but without the self-awareness.
š§¼ The Romance: Please Call a Therapist
This film is the cinematic equivalent of a stalker writing poetry on your windshield in lipstick. David is clingy, unstable, and emotionally unhingedāand yet the movie wants you to root for him like heās just a boy in love. No. Heās just a boy who needs a therapist, a police escort, and maybe a fire extinguisher.
Jade? Sheās barely a character. She just kind of… floats through scenes, blinking. She has less agency than the house that burns down. Her role is to look wide-eyed and softly confused while everyone around her makes objectively awful decisions.
š The Acting: Stiff Enough to Be Used in Carpentry
Martin Hewitt delivers every line like heās trying to remember it while walking through quicksand. Heās earnest, sure, but also wooden. You can practically hear the director off-camera whispering, āFeel something. Anything. Please.ā
Brooke Shields is stunning, but this role is more mannequin than muse. Sheās given nothing to work with. The script hands her a personality made of gauze and then asks her to carry an entire tragic romance.
And then, like a bizarre fever dream, Tom Cruise shows up for five seconds to yell about how he likes being naked.
š„ The Fire: Not Just in the Fireplace
David burns a literal house down, but the real fire is the one consuming any logic in this screenplay. At one point, Jadeās dadāplayed by the great Don Murrayāweirdly encourages their physical relationship, like he read the parenting manual upside down. Later, he tries to beat David up. This character arc reads like a Mad Lib filled out by someone in the middle of a breakdown.
And letās not forget Shirley Knight, Jadeās mother, who may or may not want to seduce David at one point. Itās vague. Itās awkward. Itās like someone dared the movie to get even weirder and the movie said, āHold my wine spritzer.ā
šµ The Music: The Only Thing That Survived
Now, to be fair, the theme song slaps. Lionel Richie and Diana Ross teamed up to give us āEndless Loveā, which is so good it accidentally gave this movie credibility. The song lives on. The movie? It should be sealed in a vault labeled Caution: Hormonal Arson Fantasy.
š§Ø Final Thoughts: A PSA Disguised as a Romance
Endless Love is not a love story. Itās a cautionary tale with a soft-focus lens and a terrifying message: if you love someone, stalk them, set fires, and break into their home. Theyāll thank you later.
Itās a movie that thinks obsession is sexy, trauma is poetic, and arson is just a metaphor. Itās not. Itās a felony.
š Verdict:
1.5 out of 5 flaming valentines.
One point for the theme song. Half a point for future nut cake Tom Cruise shouting about nudity. Thatās it.

